horse attacked by a lion

Enamel on copper, octagonal, 9 9/16×11⅛ (24.3×28.2). 20). 19; repr. Tate T02058. The sale of Stubbs' studio, held at Peter Coxe's on 26–27 May 1807, included a ‘Tiger and Tigress, in enamel—octagon’ (1st day, 66) as well as the ‘Lion and Lioness’ mentioned above, similarly described (2nd day, 79) and a number of other enamels of similar subjects. Cummings, op. Horse Attacked by a Lion (Episode C) Alternate Title(s) Lion Attacking a Horse Date : between 1768 and 1769: Medium : beeswax and oil on panel Dimensions : 10 1/8 x 11 5/8 inches (25.7 x 29.5 cm) Overall: 15 3/8 × 16 3/4 × 1 7/8 inches (39.1 × 42.5 × 4.8 cm) Credit Line : … {{cite web|title=A Horse Attacked by a Lion|url=https://clevelandart.org/art/1989.81|author=George Stubbs|year=1788|access-date=10 March 2021|publisher=Cleveland Museum of Art}} See also Collection: a french bronze group entitled 'cheval surpris par un lion' (horse attacked by a lion) late 19th century early 20th century, after antoine louis barye (1795-1875) Taylor, op. George Stubbs 1724–1806 37) and, signed and dated 1770 and with the incident placed off-centre under a dramatic stormy sky, in the Yale University Art Gallery (40⅛×50¼ in. A Lion Attacking a Horse (1762) George Stubbs (English, 1724 - 1806) Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot (ca. I screamed in pure panic’ Does this text contain inaccurate information or language that you feel we should improve or change? Horse Attacked by a Lion 1769. —one day when he was making two drawings from the Lyon... the Lyon looked with surprize over his Head & suddenly stopp'd short (at the sight of a Man who just appear'd in view in a distant part of the Garden that was coming to see [what] the artist was doing) standing, with one leg up as a Dog points—while he thought the man was without the reach of his Spring, and in this posture he continued so long as to give Mr Stubbs an opportunity of making a complete outline of him wch We would like to hear from you. Reinforcement for his view that Stubbs' source was an antique sculpture rather than the supposed occasion on which he is said (by a writer in The Sporting Magazine for May 1808) to have witnessed such an encounter near Ceuta in North Africa has come from the reappearance in the saleroom of a further oil painting of the subject. cit.). George Stubbs ARA (1724 – 1806) was an English painter, best known for his paintings of horses. Coll: Penniston Lamb, 1st Viscount Melbourne; his daughter, firstly Lady Cowper, secondly Lady Palmerston; her son, Lord Mount Temple; remained at Brocket Hall, Hertfordshire until bought 1920 by Sir George Buckston Browne and presented with Down House to the British Association for the Advancement of Science, by whom handed over in 1952 to the Royal College of Surgeons; sold 1968 to Speelman; sold to a private British collector, by whose executors sold through the Mass Gallery to the Tate. se Attacked by a Lion’ was created in c.1762 by George Stubbs in Romanticism style. Further reading:Basil Taylor, 'George Stubbs: "The Lion and Horse" Theme', Burlington Magazine, vol.107, no.743, Feb. 1965, pp.81-6Bruce ; 27×40 in.) T02058. Horse Attacked by a Lion (Episode C) Lion Attacking a Horse Date: between 1768 and 1769 Medium: beeswax and oil on panel Dimensions: Support (PTG): 10 1/8 × 11 5/8 inches (25.7 × 29.5 cm) and Overall: 15 3/8 × 16 3/4 × 1 7/8 inches (39.1 × 42.5 × 4.8 cm) Credit Line: Yale Center for British Art, Paul Mellon Collection Copyright Status: Public Domain From 1761 to 1776 he exhibited at the Society of Artists of Great Britain, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy of Arts. The Tate Gallery 1968-70, London 1970. the first time the technique – previously limited to decorative objects – had been used by an artist of Stubbs's stature. Horse Attacked by a Lion (between 1768 and 1769). cit., p. 87 fig. cit., p. 160 no. Oil paint on canvas. George Stubbs is one of my favourite painters from the 18th century. Stubbs painted also several pictures in London for the Marquiss [of Rockingham]—the most considerable of which, were two pictures the Size of Life. In other near-contemporary treatments of the subject Stubbs developed the more spacious composition of the first version exhibited in 1763: the animals, in the same upright position as in T01192, are set in fairly extensive landscapes. Image released under Creative Commons CC-BY-NC-ND (3.0 Unported). This was largely disproven, however, with the reappearance of an oil painting Stubbs made of the subject, Horse Devoured by a Lion, in which the 81–6; Frederick Cummings in exhibition catalogue, Romantic Art in Britain, Detroit and Philadelphia, 1968, pp. This is Stubbs's earliest known experiment in painting in enamel colours, and was the first time the technique - previously limited to decorative objects and miniature portraits - was used by an Horse Attacked by a Lion - George Stubbs was an English painter who is the greatest painter of horses in British art and arguably the best in the history of art. In this as in the enamel the horse is on its feet, forming a tight cameo-like group with the lion, but, as compared with the large oil painting, Stubbs has increased the drama by making the horse white and by depicting it with its head and neck strained still further back. His experiment with a new medium may have been an effort to enhance or preserve the vibrancy of his colours. Horse Devoured by a Lion is the only known version in which the horse has collapsed to his knees under the weight of the lion. 24). perhaps his most successful treatment of the theme. He may have approached the medium out of scientific curiosity, although his exact reasons are not known. Baby Horse 'Doing Well' After Attack By Mountain Lion While Being Born Suspected Wedding Crasher Allegedly Took Gifts at Multiple Couples’ Receptions Lost your password? In York, from 1745 to 1753, he worked as a portrait painter, and studied human anatomy under the surgeon Charles Atkinson, at York County Hospital. 1996, pp.90-99, reproduced p.96 in colour. —after having often viewd and considered the Lyon well, he made a design, and prepared his materials for painting the picture from Nature:- but as the posture of the animal was a given one for the purpose he wanted, it could seldom be seen in the position; therefore as the progress of the picture was often suspended, it afforded our author an opportunity of making many other studies from the Lyon... Whilst he was executing these drawings many opportunities occurred of observing the disposition of this animal; of the manner in particular in wch they watch & spring upon their prey. cit., p. 156 n. 17) sold by Mrs H C Leader at Sotheby's on 3 April 1968 (142, repr. Purchased 1976. produce special large ceramic tablets. Examples, both in oil on canvas, are in the National Gallery of Victoria, Melbourne (26×38 in. The result is a forceful depiction which is 51–3. T01192, shows a still further tightening up of the design, helped considerably by the cutting of the corners to make the picture an irregular octagon. Post navigation. In the later version of this more open composition, acquired by Henry Blundell and dated by Taylor to 1790–5, Stubbs reverted to the brown horse and slightly less dramatic grouping of the animals of the large oil in the Mellon Collection, even to the extent of letting the lion's tail fly free instead of being tucked between his legs (27½×40½ in. high temperatures, as well as improving the support upon which the painting was made. Lit: Joseph Mayer, Early Exhibitions of Art in Liverpool, 1876, pp. 5; repr. ‘Mr. Théodore Géricault – Horse Attacked by a Lion Part 5 Louvre 41 / 354 0 ; Part 5 Louvre – Théodore Géricault -- Horse Attacked by a Lion c.1810, 54х65 . Exh: Society of Artists, 1770 (135, ‘A lion devouring a horse, painted in enamel’); Whitechapel Art Gallery, February–April 1957 (51). A third work exhibited at the Society of Artists in 1771, ‘A lioness and tiger’ (154, medium not mentioned), may also have been an enamel in the same format though no example has been traced (later versions on china are recorded, one dated 1779—Gilbey, op. seventeen works on the theme, most of which were in oil on regularly-shaped canvas. George Stubbs (British, 1724-1806). This is the picture of ‘A Lion devouring a Horse’ from the collections of Horatio Miller and Sir Walter Gilbey (op. This is the shocking moment a horse is violently attacked by a circus lion and a tiger when a riding stunt goes horribly wrong doing rehearsals Stubbs was born in Liverpool, the son of a currier, or leather-dresser, John Stubbs, and his wife Mary. 35; engraved in reverse by Stubbs 1788, repr. He worked at his father's trade until the age of 15 or 16, at which point he told his father that he wished to become a painter. 21–2, 28–9; Sir Walter Gilbey, Life of George Stubbs, R.A., 1898, p. 45; Algernon Graves, The Society of Artists of Great Britain 1760–1791; the Free Society of Artists 1761–1783, 1907, p. 250; Walter Shaw Sparrow, George Stubbs and Ben Marshall, 1929, p. 24; Walter Shaw Sparrow, A Book of Sporting Painters, 1931, p. 21; Geoffrey Grigson, The Harp of Aeolus, 1947, pp. Tate T01192. What is presumably a try out for the enamel, perhaps because of the novel and unfamiliar technique, is the oil on panel, similar in size and format, in the Mellon Collection (10⅛×11⅝ in. Horse Devoured by a Lion?exhibited 1763. You will receive mail with link to set new password. —The Studies for the former of these animals were made from a Lyon of Lord Shelbournes at his Villa on Hounslow Heath, by the permission of his Lordships Gardner. Jigsaw puzzle. It may have been exhibited at the Society of Artists in 1763 (119) as ‘A horse and a lion’, which Horace Walpole described as showing ‘The horse rising up, greatly frightened’ (see Graves, op. Find more prominent pieces of genre painting at Wikiart.org – best visual art database. Purchased through the Maas Gallery with the aid of the Friends of the Tate Gallery and a special government grant (Grant-in-Aid) 1970. cit., p. 249). Before producing this piece, Stubbs spent two years studying the chemical changes to colours under high temperatures, The footage shows the white horse being pounced on by a tiger, while a lion mauls its legs from underneath. Nov 24, 2013 - ‘Horse Attacked by a Lion’ was created in 1765 by George Stubbs in Romanticism style. The rediscovered picture was presumably Stubbs' first treatment of the subject. It was generally our author's practice when his pictures were advanc'd towards finishing to go frequently to the Tower and make his observations from time to time, wch was always highly useful—’. Stubbs executed companions to many of the versions of ‘A Lion devouring a Horse’; these can be identified by similarities of scale or format though they were not necessarily exhibited the same year. To try and get the big cats to cease, circus workers also … 17–19; Basil Taylor, ‘George Stubbs: “The Lion and Horse” Theme’ in Burlington Magazine, CVII, 1965, pp. and, on reverse, ‘No. This is the shocking moment a circus horse is being bitten by a tiger and a lion during rehearsal in northern China. Stubbs was obsessed with the subject of a lion attacking a horse, making at least cit., p. 83 fig. https://www.tate.org.uk/art/artworks/stubbs-horse-attacked-by-a-lion-t01192 Please enter your email address. George Stubbs' subjects may reflect the romantic idealism of their age but they are lifted above the sentimental by their skilful composition and intense observation which generate the gravitas that marks all great art. The horse's noble submission to his inevitable fate suggests the heroic, moral overtones of stoical Roman virtue. Find more prominent pieces of wildlife painting at Wikiart.org – best visual art database. His most famous work is probably Whistlejacket, a painting of the thoroughbred race horse rising on his hind legs, commissioned by the 2nd Marquess of Rockingham. In this work, unlike all the other versions of the subject including T01192, the horse is pressed to the ground rather than on its feet, and in this respect it is particularly close to the sources suggested by Taylor, the Roman copy of a Greek original that Stubbs could have seen at the Palazzo dei Conservatori when he was in Rome in 1754 and its derivatives, especially the 18th-century version acquired by Henry Blundell of Ince-Blundell Hall, who also owned a version of Stubbs' painting (the two sculptures and a related engraving are repr. Tate T02058. Next. Fig.3. Horse Attacked by a Lion is a Romantic Enamel and Copper artwork created by George Stubbs in 1769. originate from a scene he reportedly witnessed in North Africa during his return by sea from Italy. Published in: ; Weld Blundell collection). 3); and ‘A Lion and snarling Lioness’, also signed and dated 1770 and apparently exhibited at the Society of Artists in 1771 (153, ‘A lion and lioness’, medium not mentioned), now on loan to the Tate Gallery from Mr Pierre Jeannerat. ; ex Marquis of Rockingham and Sir Walter Gilbey, op. Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. Edit attribution Download full size: 3460×2978 px (4,2 Mb) Back to album: Part 5 Louvre. Nov 27, 2016 - ‘Horse attacked by a lion’ was created by Théodore Géricault in Romanticism style. Find more prominent pieces of wildlife painting at Wikiart.org – best visual art database. 1769 Tate Gallery. Comment. He often painted horses with their grooms, whom he always painted as individuals. cit., 1969, p. 27 no. cit., 1965, p. 83 fig. A tiger and a lioness attack a horse in a circus 2018 - YouTube. ‘Horse and Rider Attacked by a Lion’ was created by Eugene Delacroix in Romanticism style. The large oil painting now in the collection of Mr and Mrs Paul Mellon (96×131 in. : repr. T01192 A LION DEVOURING A HORSE 1769 cit., for various examples). cit., p. 157 no. Album navigation: Ctrl Ctrl. Title: Horse Attacked by a Lion (Episode C) Creator: George Stubbs, 1724–1806, British Date Created: between 1768 and 1769 Physical Dimensions: 10 1/8 x 11 5/8 inches (25.7 x 29.5 cm) Overall: 15 3/8 × 16 3/4 × 1 7/8 inches (39.1 × 42.5 × 4.8 cm) Subject Keywords: replicas, panel (wood), danger, violence, suffering, octagon, light, horse (animal), lion, series (groups) The animals bulk much larger in the design than in the first version, making the composition much more monumental. It allowed Stubbs to demonstrate his virtuosity as an animal and landscape painter, while enabling him, through his reference to a classical source, to This picture was described by Horace Walpole in his copy of the 1770 Society of Artists catalogue as ‘Very pretty’ and is the earliest known enamel by Stubbs. George Stubbs 1724–1806. Taylor, op. Jan 31, 2018 - Artwork page for ‘Horse Attacked by a Lion’, George Stubbs, 1769 This is Stubbs’s earliest known attempt at painting in enamel colours. The horse is again brown, not white as in the pictures painted later in the decade, but the horse is shown standing, the lion supported entirely on its back. cit., p. 168 no. ‘Horse Attacked by a Lion’ was created in 1765 by George Stubbs in Romanticism style. A tiger and a lioness attack a horse under the marquee of a circus set up in Hebei Province, China. 113, 119–20; Joseph Meyer, Memoirs of Thomas Dodd, William Upcott, and George Stubbs, R.A., 1879, part 3, pp. The Lion Attacking a Horse stood in different locations on the Capitoline after the bronze she-wolf replaced it as the icon of Rome. In this enamel on copper piece, Stubbs cut off the corners to form an irregular octagon, thus tightening the composition. Ozias Humphry, in his manuscript life of Stubbs, based on the artist's own account and now in the Liverpool Public Library, relates that ‘an octagon within a Circle of 12 Inches of a Lyon devouring a Horse was sold to Lord Melbourne for 100 Guineas being the first picture in Enamel that our author sold’; the price is the same as that noted for a similar work in the catalogue of the 1771 Society of Artists exhibition (155, ‘A horse and lion; in enamel’, annotated ‘105£ with frame’—see Graves loc. Tattersall, Stubbs & Wedgwood: Unique Alliance between Artist and Potter, exhibition catalogue, Tate Gallery, London 1974, pp.62-3, reproducedJudy Egerton, George Stubbs 1724-1806, exhibition catalogue, Tate Gallery 1984, reprinted artist of Stubbs's stature. Since 1925 it has occupied a fountain in the Caffarelli Garden behind the Palazzo dei Conservatori. J (7 for ‘I’)’. A Horse was Attacked By A Lion in 1763. dragonsandhorses February 16, 2017 February 18, 2017 Uncategorized. The small enamel of 1769, Tate Gallery No. Maybe it’s because he painted a lot of horses. The Tate's enamel painting of ‘Lion Attacking a Horse’ of 1769 (T01192) is octagonal in shape; the horse is in the same pose as in the print, but there are differences in the position of the lion's paws, its tail is curled behind it, and the landscape foreground and background are different. 39, 41 and 42). Palazzo dei Conservatori in Rome in 1754. What seems to be another lost version is represented by Benjamin Green's engraving, ‘Done from an original picture in the Collection of Luke Scrafton, Esqr’ and published on 1 September 1769; the figures are closest to those in the Melbourne picture though in reverse but the setting is completely different with an elaborate landscape and, in the foreground, a prominent tree and a large dock plant similar to that in T01192. “It has not been confirmed that the horse was attacked by a mountain lion. ‘Horse attacked by a lion’ was created by Théodore Géricault in Romanticism style. The innovative subject proved popular and influential. Horse Devoured by a Lion?exhibited 1763. T01192 may have had at least two companions in enamel on copper and of the same shape with the corners cut across: ‘A Horse frightened by a Lion’, signed and dated 1770 and presumably the work exhibited at the Society of Artists in 1771 (155, ‘A Horse and Lion, in enamel’), now in a private collection in the USA (repr. He had had a passion for anatomy from his childhood, and in or around 1744, he moved to York, in the North of England, to pursue his ambition to study the subject under experts. The lion attack occurred on the night of October 20, 1816, as the mail coach - nicknamed Quicksilver due to its speed - travelled from Exeter to the capital. Basil Taylor, The Prints of George Stubbs, 1969, p. 29 no. 4). elevate animal painting to history painting. The image is in the Public Domain, and tagged Horses and Lion… horse is pressed to the ground (Tate Gallery T02058). A Horse Attacked by a Lion, 1788. In preparation for the work, he made many studies of caged lions at the Tower of London and at Lord Shelbourne's menagerie on Hounslow Heath. It lives at the Tate Modern in London. Although a copper plate was used for this octagonal, A Horse Attacked by a Lion (A Lion Devouring a Horse), Portrait of a Young Gentleman Out Shooting, A Grey Hunter with a Groom and a Greyhound at Creswell Crags, Creative Commons CC-BY-NC-ND (3.0 Unported). and a further three years improving the support upon which the painting would be made. and at present on loan to the Tate Gallery. Similar. ; ex Benjamin West and Sir Walter Gilbey, op. He used a copper plate support for this work, but was dissatisfied with the size limitations, and for later enamels commissioned the Master Potter Josiah Wedgwood to Reasons are not known tightening the composition j ( 7 for ‘ I ’ ) ’ reverse Stubbs. 3460×2978 px ( 4,2 Mb ) Back to album: Part 5 Louvre,... 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